Taxijam :: Jack Parow

Some refer to him as the Bob Dylan of the northern suburbs but to those who share a taxi with him on the way to work, he’s just the sweaty guy in the brown vest. Jack Parow is a resident of Belleville, a ghetto located 12 miles from the centre of Cape Town. “That’s four miles further than Eminem has to commute from his trailer park to the city,” says the rapper. Parow is currently spearheading a hip hop movement characterised by the use of his regional Afrikaans patois. “We avoid the word pidgin,” he explains, “owing to its unfortunate association with the rats of the sky.” Moreover, Parow’s sharp tongue has earned him critical acclaim. “Parrow’s indignation concerning snake tattoos on breasts,” says university professor Bo Locke, “represents a rejection of crude phallic imagery in favour of poetic discourse that interrogates the social politics of superiority.” The professor insists that Jeremy De Tolly of the Dirty Skirts is only a symbol of rock star vanity, adding, “He’s probably a nice guy in real life.” As regards the two-foot peak cap, “Purely functional,” says the professor. “Owing to the even topography of the neighbouring Cape Flats, Belleville residents require longer brims to keep the morning sun out of their eyes.”

► Taxijam :: The Smallest Gig in Town

All In One :: Self-Titled LP Launch

It’s a balmy evening in Cape Town and a crowd is dribbling into formation on Loop Street; early arrivers staking claims to the scattered tables of Alliance Française (while its humble kitchen dispatches slivers of quiche). Red lights warm a stage draped in an ethnic rug; still-life with wood and strings. Steve Newman, Errol Dyers and Hilton Schilder are shooting the breeze in the wings, their toils having culminated in the body of music they’re about to stamp on the unconscious of those present for the launch of their new album.

This extraordinary combination of Cape Town musicians evokes the spirit that brought Al Di Meola, John McLaughlin and Paco de Lucía together for Friday Night in San Francisco. However, unlike the virtuosic Jazz-Flamenco trio of the early 80s, Newman, Dyers and Schilder have concretised a theory for their union, appearing as All In One and gathering their recorded material under the same name. Moreover, while prescribed structure and precise execution makes Friday Night beautiful, All In One channels its power in the process of playing and finds its voice when separate contributions become indistinguishable from the new compound that’s formed; when the trio becomes what they call themselves.

Taking the stage, Newman, Dyers and Schilder exude the tempered confidence of seasoned craftsmen. That this is a profoundly South African cast, there is not doubt, but there’s also a shamanic air that hangs about them. This could be attributed to the psychedelic drawings that adorn the stage or perhaps the white robe over leather chaps of their creator Schilder (replete with eyeliner and Mohican). Perhaps it’s Newman’s ponytail, resembling a seafaring rope, or Dyers’ beanie, which gives him the weathered look of a cosmic fisherman. That these men are conjurers of magic is confirmed when the music begins.

The two sets are characterised by sonic tapestries that reference flamenco rumba, gypsy swing, tango, maskanda and goema. In addition to Newman’s selection of exquisitely crafted guitars, instruments featured include curiosities like the rain stick, the mouth bow and the melodica (and even the manner in which the three wean sounds from their tools is novel). Each performer also commits a solo offering to the show, which sees Newman stroking inlays on the face of his guitar to produce the sound of a kalimba. Dyers brings a dirge to the table while Schilder’s piece, albeit acoustic, carries the aesthetics of prog rock.

All In One provides an engaging performance and All In One (Swett Shoppe Records) is a dazzling album. The combination of styles, instruments and influences tethered to a raw improvisational approach has produced something that bespeaks the true nature of ubuntu. When diverse sounds unite, the result is something more than the sum of its parts. It’s a motherless sound insomuch as its origins are blurred. They may be the old guard but this is a new sound for Cape Town.

► All In One - S-T (2009)
1. All In One (E. Dyers, S. Newman, H. Schilder)
2. Three Cosmic Travellers (E. Dyers, S. Newman, H. Schilder)
3. Backyard Strummers (E. Dyers, S. Newman, H. Schilder)
4. Frogs (S. Newman)
5. Ozone (E. Dyers, S. Newman, H. Schilder)
6. Trans Karoo Express (E. Dyers, S. Newman, H. Schilder)
7. C-Movement (E. Dyers)
8. Tango Very Much (E. Dyers, S. Newman, H. Schilder)
9. The Hunt (E. Dyers, S. Newman, H. Schilder)
10. Licking Angel Cakes on the Astral Plane (H. Schilder)
11. The Reluctant Spy (E. Dyers, S. Newman, H. Schilder)
12. Polka (E. Dyers, S. Newman, H. Schilder)